Love this. I think it’s the first piece of Frankie Landau-Banks fan art I have ever seen! Thanks, @imnot12
December 10, 2016
The quality of light by which we scrutinize our lives has direct bearing upon the product which we live, and upon the changes which we hope to bring about through those lives. It is within this light that we form those ideas by which we pursue our magic and make it realized. This is poetry as illumination, for it is through poetry that we give name to those ideas which are – until the poem – nameless and formless, about to be birthed, but already felt. That distillation of experience from which true poetry springs births concept, as feeling births idea, as knowledge births (precedes) understanding.
As we learn to bear the intimacy of scrutiny and to flourish within it, as we learn to use the products of that scrutiny for power within our living, those fears which rule our lives and form our silences begin to lose their control over us.
Audre Lorde, “Poetry Is Not a Luxury” (from Sister Outsider)
Because it’s important to read about people who are different than yourself.
Because kids need to see themselves represented in literature.
Because all our stories are important.
Because children’s books can change the world.
Illustration from Josephine
For the past three weeks, we’ve been fully engrossed in our 5th annual Give Books campaign, that special time of year when we encourage everyone to give books during the holidays. For each pledge, we donate a book to a child in need through First Book, a nonprofit that sends new books to the schools and neighborhoods where they are needed most. Take the pledge today—our goal is to donate 30,000 books.
This Giving Tuesday, we want to shine the spotlight on another organization we hold near and dear to our hearts: We Need Diverse Books. They are a group of children’s book lovers that showcase and encourage literature that mirrors and honors the lives of all young people. To help get these stories into the classrooms that need them most, we’re proud to donate a selection of our diverse publishing to We Need Diverse Books:
One of their many noteworthy programs is WNDB in the Classroom, which works to share diverse literature and promote representation of children’s book creators from marginalized groups in school communities.
Illustration from The Quickest Kid in Clarksville
So how can you help? Here are a few ways:
Buy, read, and give diverse books—support authors and publishers who are promoting these stories and making an effort to distribute them worldwide.
Dear WNDB team members, Advisory Board and liaisons,
Many of us are hurting deeply this morning. Feeling betrayed, lost, hopeless. We have just been told in the most devastating manner that our lives, our communities do not matter.
Now more than ever We Need Diverse Books. We must stay strong. We must be willing to continue to work hard and fight for all of our rights. There will be immediate dangers for many in our communities, in particular the immigrant, Muslim, and LGBTQ communities. We must support them and stand by their side. And we must continue to do everything we can to diversify children’s literature with own voices. For there is no doubt in my mind that the lack of good representation in children’s books that could be good windows into other lives, is a key reason for the complete lack of empathy in much of the populace. Imagine if these same people had read Last Stop on Market Street or Brown Girl Dreaming or Better Nate than Ever or American Born Chinese. What if they’d read All American Boy? I can’t help but think that some of them might have made a different decision had they only been exposed to diversity at a young age.
What this proves more than anything is that representation is not only important for marginalized children, but they are equally, if not more important for white, straight, cis-gendered, able bodied kids to read. The lack of diverse books in children’s books has a direct correlation to what we have seen happen this week. And while it is too late to fix what has already happened, we can and must do better for our future generations. We must work harder to diversify the publishing industry. We must work harder to mentor new marginalized voices, we must work harder to promote and distribute diverse books by own voices authors.
As Jacqueline Woodson said this morning on facebook - “We’ve lived through harder times, y'all. We can do this, too.”
We can do this. But we can also work harder for a better future for our future generations. For as Walter Dean Myers said in his last NYT op ed in March of 2014 “There is work to be done.”
At the beginning of this year, my best friend and I drove down the Great Ocean Road. We went around a curve in the road and I drew in my breath because the forests were laid out before me in a startling contrast of gold lace against shadow. The next moment I realised, with another quieter shock, that the shining woods were burned land and the bright leaves were ashes.
It was my first time in Australia, and I loved it so much that I planned to go back this winter. But for a while before that, I was enjoying being in Ireland with Loved Ones, etc.
MUM: So you’re getting ready for Australia.
SARAH: Yep, I bought ankle boots!
MUM: Cool priorities. You might want to see the doctor before you go, just for a check-up about being so worn down and that cough.
I went in for a quick check-up. I wasn’t all that concerned. Writers are just sick a lot: we have an awesome job, but we also have a weird job where you often overwork and keep odd hours and do not take care of yourself. A guy I know worked so hard he got shingles and lost his hair. One of my close writer friends got pneumonia and broke her rib coughing. I got pneumonia from overwork four years ago, and since then have had recurring bouts of bronchitis or pneumonia, depending on my luck! So I went to the doctor and was like ‘Check me out, not to brag but I haven’t had bronchitis since February and it is September, but if you could do something about the persistent cough that would be great.’
Away I went. A few days later it was my birthday, and my phone rang. I was asleep, due to being a lazy toad who regularly wakes up at I’m-too-ashamed-to-tell-you o’clock. I flailed about in my bedsheets and seized the phone, assuming muzzily it was a Loved One with birthday wishes.
SARAH: Hey, sweetie!
DOCTOR: Er, hello… this is your G.P…
SARAH: Hey, er… doctor sweetie… I just feel very close to you since the thermometer incident… No. Uh, why are you calling?
DOCTOR: So your haemoglobin is half the haemoglobin of a normal person’s.
SARAH: Huh.
DOCTOR: I would never have thought you were as sick as you are when I saw you!
SARAH: I cannot say you have a soothing bedphoneside manner, doctor.
DOCTOR: Go to the hospital. Soon.
SARAH: Okay, I promise I will. Soon!
(Cut for super length and pictures, but I hope you read on!)
Ariell Johnson has been collecting comic books for more than a decade, but she’ll soon add a very personal one to her collection.
The 33-year-old founder and president of Amalgam Comics & Coffeehouse, Inc. in Philadelphia will appear on a variant cover of “Invincible Iron Man #1.”
The first image of the book, which goes on sale next month and features Johnson having a meal with new Marvel superhero RiRi Williams, is below.
Johnson said she owes the collaboration to her colleague Randy Green, whom she said spearheaded the project and conceptualized the cover.
“When the email went out about potential variants for stores, he was really excited and took it upon himself to work out the [details]. It was really his hard work,” she told ABC News. “I knew what it was supposed to look like, but having the actual art in front of you is so much different. It’s really exciting.”
Not that she hasn’t earned it. Johnson opened Amalgym last December, becoming the first black, female comic book store owner on the East Coast. However, her obsession of all things geek really began around age 10 or 11, when she discovered “X-Men” character Storm. Johnson credits the character, one of the first black, female superheroes, with being “the bridge that got me into this world.”
“To think I made it a decade-plus and I had never seen a black, woman superhero is crazy because little white boys have so many [with whom they identify]: ‘I want to be Iron Man!’ ‘I want to be Batman!’ ‘I want to be Superman.’ ‘I want to be Han Solo!’ When you are a person of color, you’re scraping the bottom of the barrel to find someone you can identify with. I always felt like I was watching other people’s adventures,” she explained. “Being introduced to Storm was a pivotal moment for me because had I not come across her, I might have grown out of my love for [comics].”
After graduating from cartoons to comics in high school, Johnson began buying her own books in college. Her Friday routine was comforting: She’d go to the comic book store to get her weekly stash, and then take the books across the street to her favorite coffee shop, where she’d read them over a hot chocolate and piece of cake. When the coffee shop was forced to close some 10 years ago, Johnson decided it was up to her to create a space that gave her the same feeling of warmth.
“The goal is to be an inclusive geek space,” she said. “So it’s not just comics; it’s gaming, it’s sci-fi, it’s horror, whatever you geek about, we want to make room for you!”
She’s also proven to be a role model for girls and women. Johnson, who points to Marvel’s diverse cast of characters and story lines as proof that the industry is evolving in a positive way, said that she’s worked hard to make sure that everybody feels welcome at Amalgam.
“I had a girl tell me I had an excellent book selection and she was 7 or 8. I don’t know how welcome she might feel in some other spaces,” she said. “Women exist in this space! We’ve always been reading comic books, we just may not have been as open about it. I definitely get very positive feedback from not just little girls, but grown women too.”
With elegant fluttering arms, it’s the Indonesian Sea Nettle, in the column tank at the entrance of the Jellyfish Fantasy Hall. ～ 新江ノ島水族館(Enoshima Aquarium)
there’s a bunch more gems just like these and they’re all so beautiful and unique. there’s also great information about the clothing, too, such as how they were made, who wore them, what fabrics were used, what the different parts of the costumes were called, etc. just a really fun and informative site and i thought i would share my find.
